|
YEAR |
TITLE |
INSTRUMENTATION |
DURATION |
TEXT BY |
|
1985 |
Fantasia
for Solo Clarinet |
clarinet |
0:08:00 |
N/A |
|
1985 |
Music
for Two Marimbas |
two
marimbas |
0:10:00
? |
N/A |
|
1985 |
Suite
for Modern Ensemble |
tape
or samplers |
0:15:00 |
N/A |
|
1985 |
Quintet |
soprano
sax (2), alto sax (2), tenor sax (2), slit drum, drum machine |
0:09:30 |
N/A |
|
1985 |
We |
soprano
sax and piano |
0:04:50 |
N/A |
|
1985 |
The
Secret Dreams of Diamonds |
flute,
clarinet, bass clarinet |
open |
N/A |
|
1985 |
Cityscape
Photograph No. 1 |
trumpet
and ‘cello |
? |
N/A |
|
1986 |
Night
Song #1 |
solo
piano |
0:04:45 |
N/A |
|
1986 |
Night
Song #2 |
solo
piano |
0:05:30 |
N/A |
|
1986 |
Night
Song #3 |
solo
piano |
0:05:50 |
N/A |
|
1986 |
Dream
Saves Day |
large
mixed ensemble |
0:10:00 |
N/A |
|
1986 |
Here's
What Brother Jed Has Learned About Freedom |
narrator
and saxophone quartet (A1, A2, T, B) |
0:05:50 |
N/A |
|
1986 |
To
Helen Bach |
tenor
saxophone, ‘cello, vibraphone, keyboard, electric bass |
0:05:00 |
N/A |
|
1986 |
Alcatraz
Remembers |
flute,
clarinet, alto saxophone, tenor saxophone, violin, viola, ‘cello, electric
bass |
0:15:00? |
N/A |
|
1987 |
String
Quartet No. 1 |
string
quartet |
0:25:45 |
N/A |
|
1987 |
Young |
soprano,
clarinet and ‘cello |
0:05:40 |
Anne
Sexton |
|
1988 |
Four
Pieces for Two Violins |
two
violins |
0:10:00 |
N/A |
|
1988 |
"Work”
from “LOVEWORKBEAUTYATMOSPHERETIMEDEATH" |
soprano
and piano |
0:01:30 |
Andy
Warhol |
|
1988 |
“Beauty”
from “LOVEWORKBEAUTYATMOSPHERETIMEDEATH" |
soprano
and piano |
0:05:00 |
N/A |
|
1988 |
Trio
No. 1 in A |
flute,
‘cello and harpsichord |
0:12:45 |
N/A |
|
1988 |
Just
Meet and So It Is |
clarinet
ensemble |
0:07:15 |
N/A |
|
1989 |
The
Good Woman of Setzuan” (incidental music) |
mixed
ensemble |
? |
Bertolt
Brecht |
|
1989 |
Sacra
Conversazione (3 movements) |
chamber
orchestra and piano |
0:18:00 |
N/A |
|
1989 |
Like
a Wheel Inside a Wheel, Parts 1-6 |
The
Illustrious Theatre Orchestra (ITO) is a chamber ensemble formed by Shane W.
Cadman and John P. Hoover in 1989 in order to perform the compositions of its
members. For more information on the ITO, please go to www.theito.org. The standard instrumentation of the ITO is:
violin, clarinet, tenor saxophone/keyboard, ‘cello, baritone saxophone/bass
clarinet, and keyboard, but the exact instrumentation may vary from piece to
piece (from 1992 to 1995 there was no violin in the ensemble). Starting in
2000, the ensemble grew by several members (from 6-9 depending on the
performance) and the instrumentation became much more flexible. |
open |
N/A |
|
1989 |
After
a Dream (Charmed by Your Image) - Cadman/Faure |
The
ITO |
0:08:00 |
N/A |
|
1989 |
Prelude |
alto
saxophone and piano |
0:03:30 |
N/A |
|
1989 |
Giving
up the Ghost |
The
ITO |
0:04:00 |
N/A |
|
1989 |
Reflecting
on Stained Glass |
The
ITO |
0:07:30 |
N/A |
|
1989 |
She
Walks in Beauty |
tenor
and the ITO |
0:04:30 |
Lord
Byron |
|
1990 |
Gas
Chamber Music |
The
ITO |
0:01:40 |
N/A |
|
1990 |
One
Big Dark Room |
The
ITO |
0:06:20 |
N/A |
|
1990 |
Sextet
(1987/90) |
The
ITO |
0:09:00 |
N/A |
|
1990 |
Dancing
about Architecture (Talking about Art) - Act 1 |
The
ITO (with an actor and two dancers) |
0:44:00 |
Tom
Callinan |
|
1991 |
Cat
Got Your Soul |
The
ITO |
0:03:40 |
N/A |
|
1991 |
Kissing
Memory’s Lips |
The
ITO |
0:06:25 |
N/A |
|
1991 |
Underneath
the Trampled Garden |
The
ITO |
0:13:20 |
N/A |
|
1991 |
"Aria”
from A Forest Tale |
mezzo-soprano
and the ITO |
0:04:15 |
Jerry
Gordon |
|
1991 |
Per
Speculum in Aenigmate |
The
ITO |
0:06:00 |
N/A |
|
1991 |
Late
for the Count’s Again |
The
ITO |
0:03:50 |
N/A |
|
1991 |
With
the Queen |
solo
piano |
0:08:00 |
N/A |
|
1991 |
Dancing
about Architecture (Talking about Art) - Act 2 |
The
ITO |
0:30:00
? |
N/A |
|
1992 |
What
Goes Without Saying Goes Unsaid |
The
ITO |
0:12:00 |
N/A |
|
1992 |
Two
Means to an End |
saxophone
quartet (SATB) |
0:04:30 |
N/A |
|
1992 |
Standing
on the Shoulders of Giants |
The
ITO |
0:07:30 |
N/A |
|
1992 |
The
Moon Speaks of Influence to the Sea |
soprano
and piano |
0:02:30 |
Jerry
Gordon |
|
1992 |
The
Sea Responds on Influence to the Moon |
soprano
and piano |
0:01:45 |
Jerry
Gordon |
|
1992 |
“Frankenstein
Meets the Incredible Dr. Nin” (incidental music) |
guitar,
keyboard and percussion |
0:05:00
+ ? |
Jerry
Gordon |
|
1992 |
“The
Unexpected Guest” (incidental music) |
The
ITO |
0:08:00 |
N/A |
|
1992 |
Thou
Pale Companion! |
The
ITO |
0:04:30 |
N/A |
|
1992 |
In
the Shadow of the Rose |
The
ITO |
0:05:30 |
N/A |
|
1992 |
Beautiful
View from an Asylum Window |
solo
piano |
0:03:20 |
N/A |
|
1992 |
Fleur
de Mal |
The
ITO |
0:06:00 |
N/A |
|
1992 |
All
Night I Heard the Birds Flying |
The
ITO |
0:13:00 |
N/A |
|
1992 |
The
Shade Never Was |
The
ITO |
0:03:30 |
N/A |
|
1993 |
Suite
#1 (a five movement dance suite) |
The
ITO |
0:17:35 |
N/A |
|
1993 |
The
Flight of Prometheus |
symphonic
band |
0:04:50 |
N/A |
|
1993 |
Dancing
in Bedlam |
The
ITO |
0:08:15 |
N/A |
|
1993 |
Peripitie |
string
quartet |
0:05:30 |
N/A |
|
1993 |
Love
Answers Under Rain’s Allure |
The
ITO |
0:09:15 |
N/A |
|
1994 |
Domine,
Dominus noster |
unaccompanied
choir (SATB) |
0:04:00 |
? |
|
1994 |
I
To You 1. “To the Hand of Her
Mistress” 2. “To the Hand of their
Master” |
The
ITO |
0:09:00
(03:30, 05:30) |
N/A |
|
1994 |
I
Lift Up My Eyes To You |
unaccompanied
choir (SATB) |
0:03:40 |
Psalm
123 |
|
1994 |
How
Long, O Lord? |
unaccompanied
choir (SATB) |
0:04:15 |
Psalm
13 |
|
1995 |
The
Sun Rises, and They Steal Away |
The
ITO |
0:03:00 |
N/A |
|
1995 |
Amid
Disquieting Dreams |
The
ITO |
0:02:45 |
N/A |
|
1995 |
To
a Revelation of Mystery Hidden |
The
ITO |
0:14:00 |
N/A |
|
1995 |
Like
a Fleeting Shadow |
The
ITO |
0:10:20 |
N/A |
|
1995 |
The
Noise of a Multitude |
1
piano, 18 hands |
0:03:00 |
N/A |
|
1996 |
Polka
and Variation (Beer Barrel Polka) |
two
pianos (eight hands) and percussion |
0:04:20 |
N/A |
|
1996 |
A
Voice of One Calling |
The
ITO |
0:12:25 |
N/A |
|
1996 |
I
Saw the Lord |
soprano
and piano |
0:03:45 |
Acts
2:25-28 |
|
1997 |
Mass
(“A Flame in the Distance” w/Oguri and Renzoku) - 5 movements |
The ITO,
pre-recorded electronic percussion, and DJ sampler |
1:05:00 |
N/A |
|
1997 |
Psalm
23 |
unaccompanied
choir (SATB) |
0:04:45 |
Psalm
23 |
|
1997 |
et
afflictio spiritus |
string orchestra |
0:06:40 |
N/A |
|
1998 |
In
the Street of the Great City |
The
ITO |
0:06:35 |
N/A |
|
1998 |
Untitled |
tenor
saxophone and tapes |
open |
N/A |
|
1998 |
Vessel |
satb
vocal quartet (a capella) and harmonium (drone) |
0:08:00 |
N/A |
|
1998 |
Grand
Hope Flower |
soprano,
mixed voices, and string quartet |
0:45:00
? |
Sir
Isaac Newton, Rosanna Gamson |
|
1998 |
The
Head of a Woman |
soprano
and piano |
0:06:20 |
Jerry
Gordon |
|
1998 |
Two
Things I Have Heard (1. One, 2. Two) |
alto
and tenor saxophone |
0:05:30
(2:00, 3:30) |
N/A |
|
1999 |
Drive |
soprano
and piano |
0:04:55 |
Maryedith
Burrell |
|
1999 |
We
Tore It Up |
two
sopranos and piano |
0:04:05 |
Kelly
Stuart |
|
1999 |
Trust
(from Eurydice and Orpheus) |
mezzo-soprano,
two baritones and piano |
0:06:00 |
Leon
Martell |
|
1999 |
The
Piano Lesson |
mezzo-soprano,
baritone and piano |
0:04:00 |
Robert
Fieldsteel |
|
1999 |
The
Green Boat |
mezzo-soprano
and piano |
0:06:10 |
Doug
Cooney |
|
1999 |
Old
Men Will Dream Dreams |
clarinet,
‘cello, and bass clarinet |
0:14:30 |
N/A |
|
1999 |
Lovesickness |
soprano
and the ITO (violin, clarinet, ‘cello, bass clarinet and percussion) |
0:45:00
? |
N/A |
|
1999 |
Women
of Mystery - cues (film score, co-scored with John P. Hoover) |
The
ITO (violin, clarinet, ‘cello, bass clarinet and percussion) |
0:15:00
? |
N/A |
|
2000 |
Out
of Oneself |
synthesizers |
0:11:45 |
N/A |
|
2000 |
In
the Night |
soprano
and piano |
0:03:50 |
Henri
Michaux |
|
2000 |
At
That Moment |
solo
piano |
0:04:15 |
N/A |
|
2000 |
Dance |
concert
band |
0:02:40 |
N/A |
|
2000 |
The
Fourth Man in the Fire |
the
ITO (no specific instrumentation) |
open |
N/A |
|
2000 |
This
Is My Resting Place (taken from "Dancing in Bedlam") |
the
ITO (no specific instrumentation) |
0:03:35 |
N/A |
|
2000 |
1441 |
the
ITO (no specific instrumentation) |
0:03:00 |
N/A |
|
2001 |
Mulch
(composed with Jerome Dunn, Jeff Fairbanks and John P. Hoover) |
a capella voices |
0:17:30 |
N/A |
|
2001 |
Dreaming
in the Garden of Gethsemane |
The
ITO (no specific instrumentation) + SATB a capella version |
0:06:35 |
N/A |
|
2001 |
Waltz |
The
ITO (no specific instrumentation) |
0:05:15 |
N/A |
|
2001 |
The
Letter |
soprano,
mezzo-soprano, tenor, baritone, chorus,
piano, synthesizer and percussion |
0:45:00 |
Shane
W. Cadman & Edmund Rostand |
|
2002 |
Preludio |
soprano,
clarinet and piano |
0:01:45 |
F.
Garcia Lorca |
|
2002 |
Two
Views/An Urban Ocean Has 29 Eyes |
soprano,
‘cello, piano and percussion |
0:45:00
? |
Sei
Shonagon/Sun Tzu/Rosanna Gamson |
|
2003 |
Out
of the Depths |
unaccompanied
choir (SATB). |
0:04:30 |
Psalm
130 |
|
2005 |
Surprised
by Evening |
soprano,
piano |
0:04:10 |
Robert
Bly |
|
2006 |
March
of the Huskies |
beginning
band |
0:01:20 |
N/A |
|
2007 |
Fastball |
soprano,
vocal loop (digital or pre-recorded) |
6:00 |
Tom
Callinan |
|
5/08 |
Waiting
For Snow To Fall |
soprano,
clarinet, piano |
6:00 |
Sean
Gunning |
|
10/08 |
Little
Square Pieces of Dreams |
vibraphone,
marimba, guitar, harp, violin, cello |
9:20 |
N/A |
|
5/09 |
Music
for Insomniacs #1 |
clarinet,
piano |
6:15 |
N/A |
|
6/09 |
Spindle |
soprano,
tenor sax |
4:30 |
A.J.
Woody |
